Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Wednesday, February 09, 2011

Conversation with Babalola Dolapo

Dolapo Babalola
Dolapo is a Medical Practitioner and a Nigerian. She is currently an Assistant Professor of Clinical Family Medicine in the Department of Family Medicine at Morehouse School of Medicine in the US. My God: Even in the Last Minute (shortened as MyGelm), published in 2010, is her debut book and she describes as an inspirational autobiography. She took time off to talk to ImageNations.

Let me ask you the oft asked question: who is Dolapo Babalola?
Well, a few words about myself. I humbly say that I’m a God-fearing Nigerian woman, blessed to be a wife, mother, family physician, sibling, and recently a debut author of an inspirational book titled: My God: Even in the Last Minute (MyGelm) released September 2010.

I am adventurous and hate to turn down a challenge, unless for a good cause. I enjoy spending time with family, dancing, writing, listening to music, and being inspired to reach higher grounds.


Is this your first book? What events influenced the writing of this book?
Yes, this is my first book. Just when I thought all my worries were over after graduating from residency in 2007, little did I know that the roller-coaster had just began. I was faced with multiple setbacks, delays, and mistakes with regards to my immigration papers that it became unbelievably insane to function. The best thing that happened to me was when I decided to start writing down my thoughts with the goal of having my mind focused on other activities other than my predicaments. MyGelm was birth from these experiences.

When I read “… in this inspirational book you will learn a lot about a young aspiring physician … faced with multiple challenges …” I couldn’t decide whether the book was an inspirational book as in its most-often used meaning or an autobiography.  Tell us something about My God even in the Last Minute.
I like that you ask this question, because I asked myself the same question in the midst of writing my book. I say my book is an inspirational autobiography because as I narrate my journey of the many challenges faced, I was inspired and assured of a better tomorrow. I know it will be inspirational to everyone that reads it.

Sure, I will be happy to tell you something about My God: Even in the Last Minute.MyGelm narrates my journey as a young aspiring physician who, in the pursuit of a permanent residency in the United States, faced multiple obstacles and challenges. Each day through this ongoing ordeal, I experienced God in a way that I never would have imagined. God showed up in the most unexpected places, in the last minute, and always with a life-changing lesson. It speaks on how; the greatest lesson in our darkest hours of uncertainty is that God is close by, quietly working behind the scenes, bolstering our faith for a miracle.

Who are your target audience? I ask this because many readers are choosy: some would skip it because of the title and others would be drawn by it.
I understand your reason for asking the question. Thank you. My target is actually everyone, but with particular reference to Christians. Having said that Christian or not, everyone can benefit from reading MyGelm.  Should I say unfortunately or fortunately, no one is an exception to daily challenges and during my journey I realized that the way we react to these challenges is what makes the different. I learnt and wrote about the pearls of life while we wait on a response or while we are going through challenges. I know without a doubt, this will be beneficial information for anyone regardless of their gender, religion, nationality, etc. Key point here is not just the experience we go through, but what we do with it. So if this is something your readers are interested in, then MyGelm is for them.

How has your book being received, both home and abroad?
So far, I can say all the responses have been positive both home and abroad. Amazing, Readers' review on Amazon.
I am so humbled by the impact MyGelm had made in peoples’ lives, mine included. A friend shook my hands and said “thanks for doing this.” He was inspired to write his long-awaited book. My husband recently met a lady who recognized his name and mentioned she was only blessed but inspired. It sure made my whole experience worthwhile. 
What do you want to achieve with this book in particular and your writing in general?
What I would like to achieve with my book are several lessons passed across to my readers. First and foremost, the message is peace of mind in any situation or through any storm. I was assured that God can show up in the most unexpected places. The propagation of my message is also to serve as a reminder that God’s plans, purposes, and pursuits can be expressed through our lives if we lay down our plans, purposes, and pursuits to Him. As mentioned earlier, I learnt several life-changing lessons, including the pearls of life while we wait on a response from God. I discussed all of these in my book, with the hope it would make a positive impact on someone’s life.

What is the overarching theme/message in this book?
God shows up in the most unexpected places, in the last minute, and always with a life-changing lesson. Clearly, the greatest lesson in our darkest hours of uncertainty is that God is close by, quietly working behind the scenes, bolstering our faith for a miracle.

Any obstacles you faced from writing to publishing? How did you feel the first day you held the book in your hands?
Yes, there were a few downsides from writing to publishing such as finding the time to complete my book, not to mention, the guilt trip, when I steal time from other activities. In addition, learning to write using the Chicago Manual literary Style was not easy, since up to date, I wrote mostly medical articles.

My goodness, holding my book in my hand was incredible but I must say it was with mixed feelings as well. I had doubts about acceptance. But I reminded myself that I am just the messenger, I will leave the rest to God.

Is this a one-off thing or more books would follow?
Right now, when I am asked this question; I respond by saying “it is a one-off thing.” But I have learnt “Never say Never.” In the meantime, I will continue to enjoy writing medical literature.

There has always been this complain that reading is on the decline. What is your take on this issue?
On the contrary since I started publishing my book, I was amazed to see how many people (not the usual celebrity in Hollywood) have written books. I guess I associated this to the fact that maybe more people are reading compared to what I originally was aware of. I have always believed that knowledge brings power, so since been published; I encourage my family, friends, and community to make it a habit to read and spread the message that will be beneficial to others in one form or the other. For we all have it within us, this I believe.

Your top five books?
Wow, haven’t thought of this question since I got turned mostly to medical reading. So let’s see;
  1. Gifted Hands by Ben Carson
  2. The Uncommon Leader by Mick Murdock
  3. Rich Dad, Poor Dad by Robert Kiyosaki
  4. Understanding the Purpose and Power of Woman by Dr. Myles Munroe
  5. The Audacity of Hope by Barack Obama 
Has been published changed you?
So much, it’s unbelievable. I love the fact that I have discovered myself to be more God-fearing, Adventurous, Seizing every opportunity and a Constant learner. Publishing proved that I can go from being bitter to better, problems to possibilities, trials to testimonies, a victim to a victor, a setback to a setup, a mistake to a masterpiece and lastly adversity to university of lesson learned. Primarily, I have learnt not to hold anything in, share the message behind the experience with someone, for it might just be helpful to them. Gladly, I can also say that my outlook on life changed after MyGelm. Among other things, I don't sweat the small stuff–for life is short, so as much as possible I make everyday meaningful without hurt and bitterness.

Where could readers obtain copies of your book, in Nigeria, in Africa and outside of Africa?
I am glad you asked. For now, my book is available only in Nigeria and United States.

In Nigeria:
DNW NaijaSistas Book-Stop, with contact Bola Nelson desperatenaijawoman@ymail.com and 08064275401
In the United States:
in addition to my website www.mygelm.com for purchase link; others are Amazon and Autographed copy

Thanks for taking time off to speak to ImageNations.
Thank you! What a privilege I have to reach your readers. I encourage you to continue the awesome work you’re doing with ImageNations. More grease to your elbow. Thanks again. 

Monday, February 07, 2011

Manu Herbstein at Africa Book Club

One of my reading challenges is to read the Commonwealth Writers Prize for Africa Region Winners (Best and First book winners) and on this list is Manu Herbstein's Ama, A Story of the Atlantic Slave Trade. This story won the award in the first book category in 2002. Manu Herbstein was interviewed by Africa Book Club. Issues discussed ranges from his dual citizenship, how he came to write this novel and what the future holds for him as a writer. According to the structural engineer cum writer, it is best for the Mo Ibrahim Foundation to sponsor writers than their futile search of past presidents to award. Here is an excerpt of the interview. 

Tell us a little about yourself, and your background.
My grandparents arrived in what was then the Cape Colony in the last decade of the nineteenth century. They had fled religious persecution in Eastern Europe. (I was brought up as a Zionist but I now look forward, though with faint hope, to the day when Palestinians and Israeli Jews can agree to live together in a single secular state.) I grew up near Cape Town and studied there until I left South Africa in 1959. I planned to return after the demise of apartheid, which seemed unlikely to survive the sixties. It took longer than expected and in the meantime I put down roots in Ghana. These days I try to spend December and January in Cape Town.

What's the story behind your dual-citizenship? We understand you are both South African and Ghanaian.
I first went to Ghana in 1961, drawn there by the charisma of Kwame Nkrumah. I worked there until 1963; and again from 1965 to the end of 1966. I have lived in Ghana since 1970, so when the citizenship requirements were relaxed it made sense to apply. I’ve had a Ghana passport since 2006. I retained my South African citizenship throughout the years of apartheid, though it sometimes required subterfuge to have my passport renewed.

Friday, February 04, 2011

Conversation with Farida Bedwei, Author of Definition of a Miracle

Farida Bedwei
Farida Bedwei's is the author of Definition of a Miracle, her debut novel, which has been published to much acclaim. Farida is one individual whose life could fill numerous books after having overcome all odds, odds are took on infinite proportions when one factors in the environment within which she grew and the people within this environment whom she must compete with on different grounds and fronts even when the playing field is not level. Plagued with cerebral palsy, which affected coordination and speech, Farida has moved through life to become a software engineer, a motivational speaker, and advocate for people with neurological diseases, and a novelist. ImageNations speaks to Farida on wide-ranging issues ranging from her life to the book she has written.

Could you tell us who Farida Bedwei is, her life, education and all we need to know?
I was born in Lagos, Nigeria on 6th April,1979. I spent most of my childhood in the Caribbean islands of Dominica and Grenada, amongst other places. I landed on the shores of Accra in June 1988. Since I ended up spending most of my school-going years in developing countries, without special schools for children with disabilities, I was home schooled by my mom till I was 12 when I entered mainstream school for the first time. I started out from (Junior Secondary School) JSS 1 at Cambridge JSS (Korle-Gonno) but went to JSS 2 and 3 and wrote the (Basic Education Certificate Examination) BECE in Kaneshie Awudome 1 JSS. After which I went to a Diploma in the Management of Information Systems then I started working... In 2004, I got admission into the University of Hertfordshire (UK) to read a BSc in Computer Science and I was exempted from the first two years of the course.

With regards to my professional life, I started out as an administrative assistant at Omari Computek Systems when I was 17 years old. After a year there, I moved to SOFT where I started my career as a programmer. After three years I moved to Rancard Solutions Ltd, where I started out as a solutions analyst and rose through the ranks to the Senior Software Architect role, a position I occupied when I left the company 9 yrs later... I am currently the Head of IT for G-Life Financial Services, a microfinance company.

Which books did you find yourself reading when you were growing up?
My childhood literary journey was rich and diverse. I read Noddy, Amelia Jane and other Enid Blyton books, Secret 7, Famous 5, Nancy Drew, Hardy Boys, African Writers series.

Have you always wanted to write a book and what made you say ‘yes I would write this book’?
Not really, it really wasn't a burning passion for me to write when I was growing up; I was content to read what others had written. This book was written because I was frustrated; frustrated with societal perception of people with disabilities and frustrated with reading about a foreigner's perspective of the "African Story", which usually involves wars, famines, AIDS and child soldiers. I think it is time for us to tell our own stories.

I have heard that the book is non-autobiographical but seeing that it somehow, at least the theme, runs parallel with your life can you tell us how much of you is in this novel?
Well, I fictionalised a few of the numerous experiences I had growing up. Most of it is fiction but those who know will be able to draw the parallels where they are.

What is the story about?
A family with a physically-challenged child move back to Ghana after years in the UK. The story revolves around the experiences of this child, told from her perspective.

What do you intend to achieve with this story?
Change perceptions (if I am lucky).

What was the greatest challenge in putting this book together?
Getting the time to write it. I had a demanding job at the time I was writing the book and was often interrupted by work during my non-working hours.

What is your view on the literary scene in Ghana?
It is picking up but we still have a long way to go. We first of all have to cultivate the habit of reading, before more people would be motivated to write.

How do you juggle between writing and your professional career?
They are both very demanding 'husbands' and one usually suffers slightly when the other is being attended to - which is why it has taken me this long to answer your questions :-)

Has the publication of this book changed your life in any way?
Before releasing the book into the Ghanaian market, I did a series of interviews and talked about what it is like to be a disabled person in Ghana - the publicity generated from those interviews had a greater impact than the book itself at this point in time.

How did you feel the first day you held a copy of your book in your hands?
Exhilarating

ImageNations is yet to read and review your work but how has general reviews (including word of mouth) been like?
I've had some very positive reviews both on amazon as well as back here in Ghana. Most find it funny, which is exactly what I want. 

Are you involved in any advocacy? Could you tell us?
Not really, although I am a member of Sharecare, a local NGO for people with autoimmune and neurological diseases.

The very day I posted a profile of and an excerpt from the book on my blog I received tweets asking of sales point. Where should readers, Ghana and elsewhere, go to for copies of this book?
It is available in Silverbird Lifestyle Shop, Accra Mall, Julikart Cosmetics, Osu near MTN and INKA Accessories, opposite El Gringo, Nyaniba. After the launch, I hope to distribute it to the other regions as well as the English speaking countries in West Africa.

Thank you Farida for taking time in responding to these questions and I hope you add on to this.

Friday, January 07, 2011

Conversation with Lola Shoneyin, author of The Secret Lives of Baba Segi's Wives

Lola Shoneyin is the author of The Secret Lives of Baba Segi's Wives, her debut novel. She is first and foremost a poet and has penned some fantastic poems. The author took time to grant ImageNations its first interview in 2011. Lola has some strong views against polygamy as the interview below shows and she has no apologies for her views. According to her there can be no justification or whatsoever for polygamy and that whereas polygamy is a lifestyle homosexuality is genetic. She also has strong words for men. Read on.

You work as a Secondary School Teacher, a poet and now a novelist. Tell us about yourself and the things that have contributed to these impressive career choices.
Growing up, my father bought us books. We grew up with Shakespeare and Dickens; they were hardly the sort of books that children wanted to read but I read them anyway, out of boredom sometimes.  It’s very important to grow in an environment where books are viewed as being non-threatening. I remember when I was about twelve, my mother took me to the UK and bought me a whole suitcase full of books. They are very few Enid Blyton books that I didn’t own as a child. I was an avid reader and even now, I get a greater thrill from browsing in bookstores than shopping for clothes.  Apart from this, I went to a school where forty minutes of silent reading was compulsory.  This helped me figure out what I liked to read from quite an early age. I had an incredible lecturer called Wale Oyedele at university. He made me read far and wide on African American literature for my thesis. That’s how I discovered Toni Morrison and from the moment I read Song of Solomon, I knew what I wanted to do. Wale Oyedele passed away at a few years ago but I remember him every time I look at a book that I have written.


Lola, I read an article you wrote for News.Scostman.com detailing your background and how you suffered racism at your childhood school in Edinburgh. Would you say that these abrasions influenced your writings?
It’s impossible not to be influenced, one way or another, by one’s childhood experiences, especially when you are a writer and your job is partly to chronicle the ‘truths’ that you know. I am not one of those people who will sit and feel sorry for myself; I try very hard to learn from the more unfortunate experiences I’ve had.  However, I detest all forms of oppression and racism tops my list of its many manifestations. Having said this, I also understand that culture, background, race even determines one’s mindset. I am black and therefore sympathetic to the plight of black people all over the world. But am I sympathetic just because I am black? And would be less so if I were white or yellow? Many of the children were regurgitating what they absorbed from their parents. Many of my school mates read the article and contacted me to ask if they had been involved and to apologise.  I think the greatest thing I learnt from encountering racism at such an early age is this: my own children do not leave home unprepared for the perils and confrontations of the outside world. They have a very good sense of what and who they are. I didn’t have this luxury of preparation.

I listened to your poem ‘She Tried’ and I was moved. In that poem you used the phrase ‘that probing, phallic mind’ and there was a ‘they’ who were preventing the woman from becoming what she wanted by giving her a whole lists of reasons. Is this ‘they’ men and do you think that this is still an issue?
I wrote the poem She Tried in 1995 and I think it’s still relevant today. African women have not been given the opportunity to come into their own. They are shackled by the selfishness of their men, who are more comfortable with them being subordinate than equal partners of superiors. The tragedy of it all is that Africa will continue to be only half as productive as it could be- economically, socially, culturally and creatively – if it doesn’t invest in the womenfolk.  Rather than perpetuating traditions that subjugate and oppress women, a sound education and real opportunities for excellence should be created.

I love ‘Diplomatic Lip Service’, not just the title but the content. It’s so true. Was the poem based on personal experience? 
I’m glad you enjoyed it. I really enjoyed writing it. And yes, it’s based on a true story. Everyone at some point has tried to get involved in an argument between a married couple, with the hope of helping them to resolve their issues. But it’s just not worth it. Married couples have so many secrets and shared experiences and these are the very things that keep them together. Sometimes, it’s impossible - as an outsider - to make a fair judgement because you will never have all the information you need.

Your book ‘The Secret Lives of Baba Segi’s Wives’ attempts to put polygamy into perspective, according to reviews. Can you tell us exactly what the book is about?
The Secret Lives of Baba Segi’s Wives is about a polygamous home in modern-day Ibadan. Two years after Baba Segi took Bolanle -a young university graduate- as his fourth wife, she has not given him a child. With seven children in total from his other wives, he cannot understand what is wrong with Bolanle’s womb and decides to take her to the hospital. What the medical investigations reveal threatens to tear apart this home.

What are your personal views on polygamy? 
There’s no doubt that many go into polygamy as a way of escaping their difficult, sometimes unbearable realities. Economically and financially, one might be tempted to believe that there are benefits to polygamy. But who is to say that alternative lifestyles that cater for emotional needs would not have evolved by now, if we hadn’t been so quick to take them option that puts smiles on men’s faces? I can bet you any money that polygamy came about after a bunch of men put their heads together to work out what would be the most convenient, the most pleasurable system for them.

I don’t want to downplay the importance of financial stability for women but to join a polygamous household for this reason alone is not worth it. I should add that the majority of the women who join polygamous homes are illiterate, unskilled and often have very limited aspirations. This is because they come from areas where women are seldom sent to school, nor given the opportunity to see themselves as anything more than a man’s property.  What is worrying is that there is a trend now where educated women from affluent backgrounds are opting for polygamy out of desperation and the lure of greater wealth. But what woman goes into a relationship knowing that she is only getting a fraction of her husband? Never has the phrase ‘settling for less’ been so apt.

As an institution, polygamy brings out the worst in the women involved. There isn’t one woman alive who wouldn't rather have their husband to themselves, who wouldn’t want all the children in the household to have come from them. What this tells me is that most women who are living in these circumstances just grin and bear it. The senior wives often don’t have a choice and for their own survival, they learn to bottle up their misery and the sense of betrayal they feel. Most times, they take it out on the new wife who, justifiably, is viewed as a usurper. The newer wives know what they are in for so they come in itching and spoiling for a scrap. Most of the fighting is done behind the husband’s back. In his insensitivity and ignorance, he boasts to his friends that his wives get on swimmingly.

I have had issues with polygamy as an institution for years. In my first collection of poems, there is a poem called, ‘You Didn’t Know’ where I cite the Yoruba proverb which says, the same whip that was used in punishing the first wife will inevitably bruise the new wife. This is the true picture of polygamous homes. There is no security for the women; their self esteem is slowly chipped away until they become so desperate that they would do anything to capture their husband’s affections.

Gay unions are gradually becoming more acceptable and people who don’t accept it are tagged  as‘conservative’,  ‘ignorant’ or ‘homophobic’.  Some would say that if we are so eager to accept different forms of relationships,  why don’t we just develop polygamy and take away the things that make it ‘negative’? Why do we have to throw it away only to accept another form of relationship? What do you think about this? 
I don’t think there’s any basis for comparing homosexuality to polygamy. Classic case of chalk and cheese! Homosexuality is something you are born with; an impulse that you cannot help but give in to. It’s genetic… part of your make-up. You know how the Bible says God knew you before you were born? Well, God knew who was going to be a homosexual before they were born. When you look at the stigma and the alienation that homosexuals experience in most African communities, you can’t help but ask why anyone would live with the never-ending persecution unless they simply couldn’t help it? The same way I can’t help being heterosexual! People don’t chose to be gay. It’s not a life-style choice. It’s innate. That’s why it’s ludicrous to expect a gay person to be able to just switch, and almost as ludicrous as expecting a heterosexual person to switch and become gay.

Just recently, several African countries voted not to amend the clause that would give homosexuals protection in countries with particularly poor human rights legislation. Such countries should be ashamed of themselves. But I am not surprised. In Africa, judging by the characters we often find in governance, we have become an insensitive people. Callous, even.

Polygamy is a polar opposite because it is a lifestyle choice. Polygamy exists because it’s not a woman’s world. Polygamy is about man flexing his manhood, enjoying the prospect of having a buffet of women to choose from.

In Changes by Ama Ata Aidoo and Faceless by Amma Darko, various justifications were given by women who entered a polygamous marriage. Do you think there is ever a justification for polygamy?
‘Justification’ is a difficult word to use where polygamy is concerned. It’s rather like asking if there’s justification for rape. For instance, the limited opportunities for upward mobility available to single women mean that they will join a polygamous household just to be known as Mrs so and so. Becoming a ‘Mrs’ translates to a higher status and respect. This is sad because ultimately, the woman’s achievements will be filtered through her marital status and the person she is married to. In Africa, women are not regarded as being fully-fledged unless they are ‘living under’ a man, regardless of their age or experience. So, would you say such women were justified in their decisions to join polygamous homes? I personally don’t like to focus on the justification of polygamy; I would rather examine at the short-comings and hideousness of the institutions and societies that put women in such a position of weakness that they are forced to contend with polygamy, as a viable option.

You are first a poet and then a novelist. Would you say that this is a natural shift for you? 
It is true that I have been better known as a poet but I have always written prose. My unpublished collection of short stories was shortlisted for an ANA [Association of Nigerian Writers] prose prize in 1999. I developed a passion for poetry in the early 90s, proving that you produce what you consume. I had an insatiable appetite for American poetry. I loved everything from Alice Walker, Maya Angelou to Ntosake Shange, from Sylvia Plath to Allen Ginsberg, from Langston Hughes to Anne Sexton. 

Was there was an event or observation or even a story that led to you writing a novel about polygamy?
The novel was prompted by a true story that was told to me by my brother’s ex-girlfriend. She was a house officer at the local teaching hospital and she told me how a man’s family had been completely changed after a medical investigation. Two weeks before, this same man had dragged his fourth wife, a young university graduate, to the hospital by her hair, shouting that she was barren. 

Do you believe in a homogenous world culture?
No, I cherish the small and the stark differences in the different cultures of the world. It would be so boring if we were all the same, had the same values, believed in the same gods or ate the same food. Nevertheless, we should strive for a situation where there are no cultures that marginalise or diminish the value of people who exist within them. Culture has never been and never will be static so we shouldn’t be afraid to change them as we gain a better understanding of the world and science. Before Mary Slessor arrived in the Southern parts of Nigeria as a missionary, many of the ethnic groups used to pound twin babies in a mortar, believing them to be evil aberration. These days, you will find lots of healthy twins in those parts.

Look at facial scarification which used to be very common amongst the Yorubas. Many people in my parents’ generation who had these ethnic markings paid large amounts of money to have them surgically removed or reduced. Apart from the hideous rituals involved in the process of scarification, the need for it was greatly reduced as it became acceptable to travel far and wide, but also it became acceptable to intermarry and be absorbed into other ethnic groups. These days, it’s very rare to find a baby who has been scarred. As a culture, we have outgrown it. Many even call it child abuse. This is another example of how our culture in Nigeria has evolved.

Tell me any part of the world where polygamy is commonly accepted and I will show you how the women in these parts are devalued, abused, uneducated, voiceless and subjugate! The two go hand in hand. And besides, I have never met a woman from a polygamous home who is actually happy or content. Just recently, I met a thirty-nine year old woman who is married to a man who used to be a top government official. The lady got married to him when she was eighteen years old and has put to bed nine times. She now has eight surviving children. This woman’s husband is one of the most corrupt government officials Nigeria has ever known; he emptied the treasury when he was in government. Money is not an issue for this family; there is enough to go round. After delivering a fifth daughter, her husband married another wife. Wife number one went berserk in spite of her strict Islamic instruction! She is still bitter and probably will be for the rest of her life. Even though she was born and raised a Muslim, she can’t cope with polygamy. Nobody in the world wants to share their spouse, yet, as Africans, we keep trying to justify it by saying it is our culture. What we are saying, in other words, is that it is our culture to destroy our womenfolk psychologically. Many will argue that this is not far from the truth.

Look, polygamy ruins women. They are deeply hurt and emotionally scarred but there is nothing they can do about it so they keep quiet and soldier on with their lives. Let us celebrate what is good about our culture and do away with the ugly. This is what you find in developed countries. Let’s get out of the dark ages and leave the retrogressive elements of our cultures behind.

I love your work and I see strong statements in both your poetry and your fiction. What do you intend to achieve with your writing?
Thank you very much. My hope is that everything I put in the public sphere touches a few people. I am interested in issues that pertain to women and children. I think that is my ‘calling’. I hope my work makes people look at life in a different way. With my novel for instance, apart from wanting to tell an interesting all-Nigerian story, I wanted to make several statements about issues that are close to my heart: the awful state of mental healthcare in Nigeria; the high but rarely reported incidence of sexual abuse against women; traumatic mother-daughter relationships; and the most importantly the uncertainty of the future. Nigeria, like many African countries, has become very unpredictable. Polygamy is on the rise again. Why? Because, as a nation, we cannot successfully prosecute a federal senator who takes a thirteen your-old-Egyptian girl as a fourth wife. We are too lily-livered to confront obvious cases of paedophilia. We pussy-foot around issues and take refuge under religious beliefs that didn’t have the resources or the sophistication to take medical hazards like VVF or child molestation into account. These are the issues that get to me.

Are you currently reading a novel? If yes, what’s the title and author?

I am cackling my way through Sue Townsend’s The Secret Diary of Adrian Mole. Mrs Corner, one of my teachers in prep school used to read bits of it to us at the end of her lessons. She didn’t have time to  finish the novel but I was so taken by it that I went out and bought it with my own pocket money.  I was about nine years old. I read a fictional review of Tony Blair’s memoirs recently, written by none other than the fictional character, Adrian Mole. I found my old copy and decided to read it again, for the laughs and for the memories.  When I finish, I will start reading Black Rock.

Your list of top five books.
Sula by Toni Morrison
House of Spirits by Isabelle Allende
Of Mice and Men by John Steinbeck
Blind Assassin by Margaret Atwood
The Girls by Lori Lansens

Thank you very much for giving ImageNations the chance to talk to you. Thanks for the interview. I hope you can get hold of The Secret Lives of Baba Segi’s Wives in Ghana.
Thanks for talking to me. The novel is available in Ghana already.

ImageNations has not as yet read Lola's book; however, when it is read be assured that the review would be posted here so keep watching this space. Do you have a different opinion? Let the discussion roll.

Tuesday, December 21, 2010

Conversation with Kuukua Dzigbordi Yomekpe - a Culinary Artist

Kuukua Yomekpe
Kuukua Yomekpe is a young Ghanaian woman whose writings have been published in different anthologies. Kuukua's multi-ethnic background and her multiple degrees - Art, Theology and currently working on her MFA - have influenced her in her writings. However, she also believes in the informal form of education as much as she does in the formal ones. Kuukua draws a lot from her personal life and has found a point of convergence between her love for writing and that for cooking as she considers herself to be a 'culinary artist'. According to her she writes to give people who are 'different' a chance to hear a different voice, believing that by speaking for others, others might speak for her.

Below is an interview ImageNations conducted with this literary talent.
Tells us something about yourself, Kuukua?
Well for starters, I was born and raised in Accra, Ghana at Aunty Hannah’s home in Chorkor. I am the oldest child on my mother’s side, and the fourth on my father’s. Altogether, I have six siblings. As my name suggests I am Fante on my maternal grandmother’s side, I am also Ga on my maternal grandfather’s side, and finally, I am, as far as I know, fully Ewe on my father’s side. I attended Christ the King International School from kindergarten to JSS3. I moved to the US after completing Holy Child Secondary School, affectionately known as HolyCo, in 1995. I choreograph African and Liturgical dance forms. I can throw down reasonably in the kitchen; I love cooking and throwing parties for my friends. And it goes without saying that I love to write. I write to live. I have been privileged to have been published a few times in the last two years. I hope to own a retreat or respite center one day where I can write, cook, and dance, and teach other women to do the same as a form of therapy and self-care.

In your biography you said your ‘formal’ higher education started in Columbus, Ohio. What do you mean by ‘formal’ and what have been your places of informal education?
What I mean by formal education is this: The Western form of education that is accepted almost everywhere and often preferred above all other forms—the standardized testing, the grading and GPA systems, the uniforms and tuition. When I speak of informal education, I am referring to the knowledge that the ancestors and elders have passed down through the ages; that which can never be learned in any classroom setting. I am speaking about learning Fante and Ga from the women who washed my clothes and baked our bread, or learning to cook a mean nkatie wonu from Aunty Mercy who probably didn’t complete high school. These women did not use measuring cups or notebooks, nor give grades or award degrees. I consider myself very lucky to have been educated by these women, who often go unrecognized. I truly believe that my education is not complete without such places of informal education.

Coming from a culturally different background where sexual relations are expected to be between two individuals of the opposite sex, how did issues of bisexuals influence your writings?
Now, this is a bit tough. As you can imagine, and as you rightly assume, issues of gender and sexuality are rarely discussed in constructive ways in the society in which I was raised. Engaging in these conversations has not been easy, but I have finally come to terms with it, and am writing about it. For a long time, I could not reconcile these conversations given my cultural background and my devout Catholic upbringing. As I do with all challenges, I set out to first explore it. The confusion was apparent, but it took engaging with those we called “other” and inching close to various mixed communities to begin realizing that no matter what anyone else thought of you, you were the only one charged with living your particular life. Once I began putting real faces to these “fags,” “dykes,” and “homosexuals,” I could not deny their dignity. The person the creator was calling me to be could not deny the dignity of others. People have opinions, always have, always will. There are several strains of arguments and often I engage, but essentially, I use my writing to honor the difference in all of God’s creation. To deny anyone’s dignity means to allow others to deny mine. The saying by Martin Niemöller comes to mind whenever I encounter discussions of dignity:
They came first for the Communists, and I didn't speak up because I wasn't a Communist. Then they came for the trade unionists, and I didn't speak up because I wasn't a trade unionist. Then they came for the Jews, and I didn't speak up because I wasn't a Jew. Then they came for me, and by that time no one was left to speak up.
I write to give people who are “different” a chance to hear a different voice in the wilderness, if I may use that phrase. I speak up so someone might speak up for me. It’s not an easy task, but ultimately, I am the one who has to live with myself and answer to the creator in the end.

Your writings suggest that you write on issues concerning women. Again there is this deep contribution of your personal life in your work. To what extent has the concept of feminism defined your writings and how much of your work is influenced by your life?
All of my work is influenced by life. I couldn’t write much if I didn’t have my life experiences. Equally, I couldn’t write much if issues of women were not addressed in my work. Through my many years of “formal” education, I have become acquainted with the ideals of feminism and womanism, as well as several other concepts of believing in the empowerment of women. What I take from everything I’ve learned over the last 15 years is that women matter, and truly imbibing the ideals of feminism means that I do everything in my power to show this, and make it happen whenever possible. My contribution is through my writing and drawing attention to this idea that women should not have second class citizenship in any society. My favorite button quote, “feminism is the radical notion that women are human beings” drives most of my work and encourages me to build up strong female characters.

What do you intend to achieve with your writings?
I intend to reach people with my message about diversity and dignity for all of creation, and add my voice to a universal message of acceptance. I intend to help people make connections in their lives and generate solidarity with those they may think of as “other.” I intend for people to see themselves in a broader global society beyond their various ethnic groups. Mostly, I intend to be another example of a survivor by sharing my own stories with the global society. Surviving life is important and sharing stories of survival helps keep universal hope alive. It’s the “If she did it, I can” story. Meri Nana-Ama Danquah’s book, Willow Weep for Me was that book for me. 

You have degrees in Arts and Theology, and intend to add MFA to it. What is this fascination about degrees? What’s with the degree in Theology?
Fascination with degrees…yeah it truly has come to that. The funny thing is the degrees are not even up in frames on my wall, so sometimes I conveniently forget that I have them. Well, until the loan payments go through. Anyway, I believe I was first attracted to higher ed and the academic milieu during my undergraduate work. I enjoyed academia, and wanted to remain there forever. I thought in order to do this I had to continue taking classes. I wanted to write but I didn’t feel Creative Writing was a practical enough degree to satisfy my immigrant family who wanted me to “make something of myself!” So I tried the route of English thinking I could teach, but now I know that classroom teaching is a calling given to some people. I was not one of those people. Working in Student Affairs was a novel idea that I stumbled upon after my first Masters. While doing so, I realized that I wanted the added component of pastoral counseling hence my trek back into the student seat to get that degree in Theology. Even though I can not be ordained as a woman in the Catholic Church, I still feel called to pastoring students in college. The MFA degree came more as a kick in the pants if you will. An awakening of sorts. I still wanted to write after all these years, and all these degrees. I realized that I had been avoiding my writing for years so I began to focus on it. I decided it might be best to do it in a cohort model so I would have specific accountability to other writers. I am only through my first semester and I’m not sure yet what I think.

And what exactly are you heading towards?
My ultimate goal is a women’s resource and respite center where women can come to rest and use writing and other forms of expressive arts therapeutically to process trauma and pain. As I have honed in more on my goal, I have realized that I don’t need a degree for this, however, knowing the world we live in, and knowing that as a Black woman I have certain odds against me, I figured the extra credentials might aid in achieving my final goal. Of course we also know that most artists all have “day” jobs. I was trying to figure out what mine would be. How would I support my dream goal?

What do you think we can do as Ghanaians to improve our literary scene?
When I was in Ghana this past August, I got plugged into the literary scene through yourself, Nana Nyarko, Teddy, and Mamle, and I was pleasantly surprised. All I knew of were the Busias and Aidoos, and Armahs, but the Writers Project of Ghana broadened my perspective and changed my view of who made up the term “Ghanaian Writers.” We are REAL, we just need to make our presence known. If there is one thing I’ve learned being abroad it’s this: No one will hand you something if you don’t ask for it, step up to it, or go after it. The Citi FM program is a great resource and I think we ought to keep going with it and searching for other avenues to share our talents. I look forward to future collaborations.

What are you currently working on?
I am currently working on a couple big projects. One is a Culinary Memoir, which is untitled, but which combines the stories of my family and our interaction with food. It is only fitting, since I call myself a “culinary artist,” to be able to celebrate the roots of this audacious title. I am also working on a collection of personal essays about the African immigrant experience in America. Three of these are published in the African Women Writing Resistance anthology that recently came out. I will be presenting on these pieces at the African Literature Association conference in April. I might also be collaborating with Ruby Goka, the Burt Award winner who read with me on WPG’s on Citi Fm program the first weekend in August when I was in Ghana. I have had a Young Adult fiction piece that’s been collecting dust since 1999 and my recent conversations with Ruby have inspired me to move ahead in a slightly different direction. An idea for an anthology of African immigrant children is currently bubbling on the back burner. Of course, slightly charring on the other back burner is my blog which began with all the enthusiasm of a child in a candy store, and is currently challenging every disciplined bone in me. I will get to it, today…oh no! tomorrow perhaps… You know what I mean?

Your final words?
Thank you for the opportunity to make my words heard. I believe that as writers we need to support each other, create a virtual colony of sorts. If we don’t do it, no one will. Most often than not, things are just not handed to folks, we have to go for what we want and we have to support and celebrate each other.

Thursday, November 18, 2010

Interview with Mamle Kabu

When did you begin writing?
I did a bit of writing aged about 8 or 9 with illustrations but later I got embarrassed about it and threw it away so nobody would see it. I’ve always regretted that. In adulthood, I knew I wanted to write, I knew I would write, but interestingly, I felt I wasn’t ready, not experienced enough to be worth listening to or reading, till I was about 30. Then I felt ready and I started. But I think another factor was that that was when I stopped keeping a journal and I think the urge needed somewhere else to go.
For whom do you write/ who is your audience?
This is different according to different stages of writing. At the inspiration stage I don’t really have an audience, it’s just me and the story. As I write I do consider the audience in terms of technicalities, say, in using a phrase in a vernacular language, whether it’s necessary for it to be understood by everybody and if so, how to go about that. Then of course, if I want to try and get it published, I have to think during the writing process of issues like word length, how appealing it is to whom. But I’m not very good at that, generally I just allow it to come out before I start worrying about that, which is not always a marketable strategy. Generally, I write for people who feel things the way I do, who will discover things in my writing, who can basically appreciate it, regardless of who or where they are.
What prompts you to write?
Something I once described as a restless and rather inconsiderate urge lodged somewhere in my entrails. I don’t really know where it comes from or what it wants but it’s been there since childhood and it just doesn’t go away even when it is being crowded out by other pressures in my life.  And actually it’s the only thing that’s always been there even when I was completely in the wilderness about ‘sensible’ career choices. The actual writing process is interesting and also a bit mysterious, it’s like “If you sit down, it will come.” I often write things I had no idea I was going to write when I sat down.  
What was the inspiration behind The End of Skill?
I wrote ‘The End of Skill’ immediately after ending a year-long study on kente cloth, a project I did under the auspices of my day job as a research consultant. Two particular anecdotes I had encountered during interviews with kente weavers and custodians sparked the idea in my mind and also gave birth to the main character. One thing that really sank in through the study was how much kente is still a living tradition in Ghana and how wonderful that is, but at the same time, what that has cost in the face of modernization. That theme worked its way almost involuntarily into the story.
What was your reaction to hearing that you had been shortlisted for the Caine Prize?
Mamle Kabu
I was in shock. I knew my story had gone in together with others from the “Dreams, Miracles and Jazz” anthology but still, making the shortlist with the rest of the continent for competition seemed like a pipe dream. Hearing I’d done it made me feel like a character in a book. An author’s pet that just gets her wishes written into the story!  It was like fiction. 
What are the challenges facing short story African writers? How can these be resolved?
In Ghana not only short story writers but writers in general face the problem of finding a reading public.  Writing is easily classified as ‘difficult’ if it goes beyond the formulae of pulp fiction and then the reading of it becomes viewed as an academic exercise, which cuts out the vast majority of the reading public. The popularity of religious books and self-help books also helps relegate non-pulp fiction to the back shelves. How to resolve these challenges? Well to begin with there is the fundamental problem of low literacy. That would be a good place to start. 
Why did you become a writer?
It seems to have been hard-wired into my brain from childhood that I should. I’m not quite sure why.  It’s just something that wants to be done and suggests itself gently but persistently.
What are your concerns as a writer?
Money is an eternal concern, writing doesn’t really pay any bills at this point in my life.  Linked to that is time, the terrible, recurrent frustration of having ideas that you don’t have the time to put down and develop properly.  Finding publishing outlets for my work is also a concern.  I’ve been very lucky but have also had a lot of rejections and they are so demoralizing. 
As an African woman writer do you consider yourself a feminist? Or do you embrace feminism as a perennial issue?
I embrace feminism as a perennial issue, I’m not sure women like me have a choice in Africa really because otherwise we get labeled just for wanting half-way decent treatment. While being the type of woman who would automatically be classified a feminist by many, I object to the very concept of feminism, to the need for a label for people just wanting to be treated fairly. What do you call a man who stands up for his rights just as a man?  A part of me feels that promoting the concept of feminism promotes the need for such a concept.  I like my strength as a woman just to be a part of the way I am, like my height.  I will stand up to be counted as a feminist if it’s required to protect women who are helpless to defend themselves but it is not a label I readily embrace just for the sake of it or for image purposes.  I like to bring women’s strength out in my writing in a way that does not evoke labels but rather shows naturally and indisputably what they have a right to and are worth.
How do you yourself work – coping with job demands, marriage, living in societies other than your own? How do you fit in all those things into your life? How do you divide your time?
Living in Ghana (for the past 15 years) I feel I am back in my own society (after 10 years in the UK) although being bi-racial that is not always a clear-cut question. Anyway, coping with job and family demands and still trying to be a writer is so hard that it often seems impossible to keep being all those things at the same time. Economic forces are what make the decision really, if I didn’t have to worry about money I wouldn’t have any problem deciding how to divide my time! I would just write!  Although I don’t think I would want to give up my work completely because it contributes so much to my writing. One of the reasons I’ve written mainly short stories so far is because I work freelance.  So I fit my writing in between contracts. But it’s always hard to find long enough bits of time in between to finish my novel. As it is, if my writing urge wasn’t so strong it might have got pushed out by the other things by now, especially kids. It’s not easy to combine them with anything. Yes, the juggling act has been incredibly difficult.
What future projects/events will we see you involved in? 
The completion of my first novel I hope, and others after that. I also want to write screenplays and get involved in film direction. 
What is your opinion on the direction and momentum of African literature today?
I think more and more opportunities are opening up for African writers all the time. Today, any aspiring writer anywhere in the world can find opportunities to get published just by going on Google. He/she can submit a story from Ghana to U.S.A at the touch of a button. This is not to say it’s easy to get published, it’s not, but still, it’s a whole lot easier than it was pre-internet.  Anthologies are being put together with calls for stories going out on the internet. This is how I have had some of my short stories published including “The End of Skill,” which is one in an anthology of 27 stories from all over the African continent, all of which were submitted via the internet (together with many others that were not included in the final selection). Literary magazines for African writers like ‘Kwani!’ in Kenya and ‘Sable’ in the UK are providing opportunities to new writers. So I think African literature is gathering more and more momentum and will have a much bigger international profile in the next decade or two than it has hitherto enjoyed.
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